THA 31 Directing

Dr. Doug Cummins
294-2127

 

Spring, 2009
M- F 11:30 - 12:45
Office Hours –10:00 11:00 daily or by appointment

Scope of the Course: This course is designed to introduce you the basic fundamentals of directing plays for the stage. We will carefully examine play structure and analysis, communication with the actors and designers, and rehearsal process and performance.
Assignments: You will direct a ten minute play and a forty minute one act play. There will be tests over content in the text and daily assignments. The value of each assignment is listed below:
 

1. 3 tests over Units I, II, III 30%
2. Daily Assignments as assigned 15%
3. Cast and direct a 10 minute play 20%
  • Prompt Script
    Analysis
    Rehearsal Schedule
    Ground plan
    Blocking
    Rehearsal Notes/Journal
4. Cast and direct a 30-40 minute Play 35%
  • Prompt Script
    Analysis
    Rehearsal Schedule
    Ground plan
    Blocking
    Rehearsal Notes/Journal

Textbooks:
 
Required: Play Directing: Analysis, Communication and Style. 6th edition Francis Hodge and Michael McLain. Allyn and Bacon. ISBN 0-205-41923-2
Misdirecting the Play. Terry MC Cabe. Ivan R. Dee. Publisher; ISBN:
1- 566-63353-2
Riders to the Sea by James Millington Synge.
Recommended: Plays in One Act. edited by Daniel Halpern. CCC, Harper-Collins, ISBN 0-88001-490-3
Take Ten: New 10 Minute Plays. Lane and Shengold. Vintage Books; ISBN: 0-679-77282-0;
A Sense of Direction: Some Observations on the Art of Directing. William Ball. Drama Book Publishers. ISBN 0-89676-082-0
Selecting Your Play to Direct:

You will be expected to direct two plays this term, a ten minute play at mid-term and a one act play ( no longer than 40 minutes) for the final. Some guidelines for play selection are:

1. The play must be published. You may not direct an unpublished play or a play off the internet.
2. Any of the plays from the recommended texts is acceptable.
3. You may not direct a non-royalty play.
4. You may not direct a musical, although you may use music in your play.
5. Avoid plays with massive amounts of props or that rely on a specific costume or prop gimmick for the plot of the show.
6. Limit your cast to no more than 5. Preferably 3.
7. Avoid plays that require dialect, highly stylized staging or stage combat.


Grading on Directing Assignments

You will be graded not only on the final product but on the process whereby you produce the play. Each production must include:

50%


Prompt Script

The complete script in a loose leaf binder either re-typed or photo copied.
It must be turned in on the day of performance.

Analysis -
A complete typewritten analysis of the play as developed in Unit I of the course.
Rehearsal Schedule-
A complete published rehearsal schedule
Ground plan-
A 1/4 " scale ground plan showing all furniture, windows, doors, etc.
Blocking-
Complete blocking notes in the prompt script with business and character notes.
Rehearsal Notes/Journal-
A day-by-day account of the rehearsals. It should include goals for each rehearsal, report on how those goals were/were not accomplished; comments on the work of the actors; notes for the next rehearsal; personal reflections. A template for journal entries is linked.
   
50%  
Performance
Aspects
Elements of performance as demonstrated by the play in performance.
Given circumstances
Clearly established and adhered to
Effectiveness of Floorplan
Sufficient acting areas to accomodate the action of the play
Blocking
Organic and appropriate to the action of theplay
Composition and Picturization
Establishes and maintains focus and meaning
Pace and Tempo
Variety of pace and constant movement to the climax
Characterization
Believable action and variety between characters
Overall communication of idea
 
Basic Guidelines for Production of Your Plays


1. Select a play that is castable from among the general student body. (No more than 5 characters) You must participate in class auditions to cast your play.
2. Avoid over emphasis on technical aspects of productions, i.e. lights, costumes, props, set, etc.

* You must use rehearsal props and furniture as provided.
* You may not borrow items from the costume stock
* You may use items from the props storage only by request
* You must return all properties, furniture etc. to storage after every rehearsal

3. Lighting will be general illumination. there will be no special lighting for any individual show.

* A Light Board Operator will run every show.
* Prepare a cue sheet for your show
*You may use sound effects and music for your production.
* You must have someone to run the sound.
* You may not run the sound yourself.


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