Syllabi: MUS 22 A/B/C Basic Theory II



Required Texts

Aldwell, Edward and Schachter, Carl. Harmony and Voice Leading. 2nd ed. San Diego: Harcourt Brace Jovanovich, 1989.

Aldwell, Edward and Schachter, Carl. Workbook to Harmony and Voice Leading. Vol. 1. 2nd ed. San Diego: Harcourt Brace Jovanovich, 1989.

Damschroder, David. Listen and Sing [and optional companion cassettes]. New York: Schirmer Books, 1995.


Study Partners

Each student is required to choose and work with a study partner from his/her section. If a students fails to choose a partner, one will be assigned to him/her. Partners are expected to meet at least twice a week (non-consecutive days) for the purpose of aural skills and keyboard drill. [Extra credit will be awarded to those who meet more frequently, not longer.] Partners will also be responsible for sight singing together in class and for performing keyboard harmony and harmonic arpeggios as a team.


Grading Policies

Grades are based on keyboard skills (10%), harmonic arpeggiation, sight-singing, and rhythm execution/conducting (15%), melodic, harmonic, and rhythmic dictation (10%), written work (25%), one composition assignment (10%), attendance and class preparation/ participation, (10%), and a final examination (20%).

Sight singing and rhythm execution/conducting will be evaluated in class at random intervals. Likewise, keyboard harmony and harmonic arpeggios will also be tested in class, usually on Fridays. Dictation assignments will be collected at random intervals. See the syllabus for assignments and due dates. All assignments are due at the beginning of the class period for which they are assigned. Late assignments will be assessed a 50% penalty. The final examination will be given on the date and at the time specified in the class schedule.


Attendance

Each student is allotted one (1) unexcused absence during the course of the term. No exam, test, dictation, audit, assignment, etc. may be made up without written excuse.


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