Daniel Koppelman -- Current and Recent Projects
The first commission for my Live Sampling project has been completed: Mark Applebaum's on the nature of the modern age, for piano duo and electronics. The work was written "in loving memory of John Silber, compassionate mentor and intrepid experimentalist." duo runedako will premiere it in February, 2006.
"Escapement" is finished! My 2-disc set (CD plus DVD) of music for piano and electronics is now available from Horizon Records. Below is a shot of the front cover of the box. For more information on Escapement, click here.

cover
art by Chris Cantrell
duo runedako will perform on the "Music at the Forefront" series at Bowling Green State University in February, 2006.
Things are shaping up for my Live Sampling project in 2006. I have commissioned pieces from Christopher Dobrian, Benjamin Broening, William Kleinsasser, and Mark Applebaum. I am also composing some music for duo runedako and for my trio with Tamara Matthews and Matt Olson. Daniel Schorno of STEIM in Amsterdam will be in residence at Furman for a week in Spring, 2006 to help prepare the commissioned pieces; he will also give performances and master classes.
I performed William Kleinsasser's Quintuple Escapement in April, 2005 at the SEAMUS National Conference in Muncie, IN. This was my first performance with my new MOTU Traveler interface -- a nice addition to my arsenal. As a warm-up for SEAMUS, I played Quintuple Escapement on March 30 at the annual "Modern Music" concert presented by the Phi Mu Alpha brothers at Furman.
In March, 2005 in Baltimore, duo runedako premiered William Kleinsasser's Innocent Proteins, a chamber concerto for two pianos and ensemble. The duo performed in March on the Furman Faculty Chamber Music series at Gunter Theatre in Greenville, and in February on the "Winter Classics" series at Christ Church, also in Greenville.
In January, 2005 I received funding from the Andrew W. Mellon Foundation for a Career Enhancement grant to explore live sampling together with Furman colleagues Tamara Matthews and Matt Olson. The project will take place in 2005 and 2006. There is an article about this project in the Associated Colleges of the South newsletter.
My students in Music 45 (Project in Music Technology) presented a concert of music for live performer plus technological resources on February 10 on the Furman campus. I performed my composition "Solecism" at a CLP event entitled "Music as a Mirror" at Furman on January 6.
I'm currently putting the finishing touches on my CD/DVD "Escapement", which documents the work I did during my sabbatical in 2003. The DVD will have videos of live concert performances, excerpts from lectures/demonstrations (about my work with the Tactex MTC Express touchpad and Oxygen 8 controllers, as well as some background on performing with technology), recording studio footage, information on the composers and their works, and some extra goodies. The CD will have edited and mastered versions of the repertoire. Here's a sneak peak at a couple of the menus:

"Escapement" repertoire:
Benjamin Broening, Nocturne/Doubles, for piano and computer
William Kleinsasser, Quintuple Escapement, for MIDI controller and
computer
Daniel Koppelman, digitalisman, for piano, MIDI controller and computer
Eric Lyon, Psychic Driving, for piano and computer
James Mobberley, Voices: In Memoriam, for piano and computer
Christopher Dobrian, Unnatural Selection, for Tactex MTC Express and
computer
Wayne Peterson, Four Preludes for Solo Piano
Some activities during Fall, 2004:
Artist-in-Residence for the Hutchison Keyboard Weekend at
St. Lawrence University in Canton, NY;
played a solo recital and gave a lecture/demo.
Performed at the International Computer Music Conference in Miami, and
Third Practice Electroacoustic Music Festival in Richmond.
Gave a 'mostly solo' recital at Furman
(including Roscoe Mitchell's Not Yet for sax and piano, with Matt Olson)
Submitted a grant proposal for a Live Sampling project
involving soprano Tamara Matthews and Matt Olson.
Redesigned personal website.
Fall repertoire included:
Benjamin Broening, Nocturne/Doubles, for piano and computer
Richard Festinger, Variations for Piano
Daniel Koppelman, Solecism, for MIDI controller and computer
Mario Davidovsky, Synchronisms #6, for piano and tape
(Davidovsky was the featured composer at Third Practice.)
William Kleinsasser, Quintuple Escapement, for MIDI controller and
computer.
Paul Rudy, Church Keys, for piano and tape.
James Mobberley, Voices: In Memoriam, for piano and computer.
Some activities during Summer, 2004:
Composed Solecism, using LiSa and my new Novation ReMote 25 controller.
The piece is based on audio clips from infamous Congressional testimony
(Oliver North, Anita Hill & Clarence Thomas, John Dean, etc.).
Gave a 'mostly solo' recital as part of Furman's Summer Keyboard Institute.
Worked with composers on getting recent repertoire transferred to OS X versions.
Learned Apple DVD Studio Pro and Final Cut Express;
worked on DVD authoring of "Escapement" project (see above).
Family vacation trips to:
New York City (to visit cousin Pete Rosenblum)
Elk Rapids, MI (Neville family reunion), and
London, England (with Ruth and our two moms).